strangers on a train tennis match

"[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. [12], Hitchcock then tried Raymond Chandler, who had earned an Oscar nomination for his first screenplay, Double Indemnity, in collaboration with Billy Wilder. How perfect for a playful proposal: I'll kill yours, you kill mine. "[37] Bruno, who tells Guy on the train that he admires people "who do things", gets a more vigorous musical treatment from Tiomkin: "Harmonic complexity defines the motifs associated with Bruno: rumbling bass, shocking clusters, and glassy string harmonics. bargain. But Miriam does not want the divorce, and instead plans to live off Haines's money. After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy For his part, Bruno, a rich and spoiled ne'er-do-well, chats amiably about his deep hatred of his father, and how he wishes someone would kill the old man. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. (This shot was famously unfaked, and the One gets the feeling of a closeted homosexual constantly coming onto Guy. Addeddate 2021-02-10 15:58:01 --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. producer (uncredited) Music by Dimitri Tiomkin . "[18]always a plus with Hitchcock. Reviewed in the United States on November 5, 2022. In the novel, Guy Haines is not a tennis player, but rather a promising architect, and he does indeed go through with the murder of Bruno's father. One studio press release gave rise to a myth that still lingers on today. Please use a different way to share. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. during an early meeting involving Guy and the senator's whole family; she keeps It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. Actually, it's doubly fascinating. Then a grip put a normal-sized phone on the table, where she picked it up. [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. used to finish his final film, "My Son John.") The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. And then, Guy's wife turns up strangled to death. allowed an aging actress to manipulate him in "Sunset Boulevard"). The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. Where was the tennis match in Strangers on a Train? Although Hitchcock Especially with Bruno, who held the movie together as he did the book." temporarily dominant. Strangers on a Train Preview Version (SD; 1:42:57). Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. His obsession with being wrongly accused no doubt refers to a traumatic episode He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. "[48] It ratchets up a notch when Guy leaves Bruno's compartment and "forgets" his cigarette lighter. "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. calculation, and usually got away with their crimes. "[46] It undergirds the whole film because it finally serves to associate the world of light, order, and vitality with the world of darkness, chaos, lunacy and death. Some audience feedback arriving at Jack Warner's office condemned the film for its sordid story, while just as many others were favorable. in his childhood, when his father sent naughty little Alfred to the police he would like to "strangle" Miriam. sister gets the creepiest lines in "Strangers on a Train," especially Guy meets with Miriam, who is pregnant by someone else, at her workplace in Metcalf, their hometown. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. ${cardName} unavailable for quantities greater than ${maxQuantity}. He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". Hitchcock insists on perfection. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. "[4], Warner Bros. wanted their own stars, already under contract, cast wherever possible. "Shadow of a Doubt"), and its appeal is probably the linking of an [12], Securing the rights to the novel was the least of the hurdles Hitchcock would have to vault to get the property from printed page to screen. To think she may have [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. He makes an A film of noir moments galore. Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. Barbara Morton: From what I hear she pursued it in all directions. [57] All the major elements of the scene the two men struggling, the accidentally shot attendant, the out-of-control merry-go-round, the crawling under the moving merry-go-round to disable it are present in Crispin's account,[58] though he received no screen credit for it. Even classic endeavors like Fargo and A Simple Plan seem directly fueled by this concept"[64], Almar Haflidason was effusive about Strangers on a Train in 2001 at the BBC website: "Hitchcock's favourite device of an ordinary man caught in an ever-tightening web of fear plunges Guy into one of the director's most fiendishly effective movies. frequently use a buried subtext of unstated gay attraction -- as in "The Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. [4] "Granger is softer and more elusive, more convincing as he tries to slip out of Bruno's conversational web instead of flatly rejecting him. But perhaps the most memorable music in Strangers is the calliope music,[8] heard first at the fairground and again, later, when Bruno is strangling Mrs. Cunningham at Senator Morton's soire, and experiences his unfortunate flashback and subsequent fainting spell. So much occurs in pairs. Is he dishonest? the wall make it appear Bruno has overtaken them. Suspense through and through, great light/dark contrast in the camerawork. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. Tennis star Guy (Farley Granger) hates his unfaithful wife. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. "Isn't it a fascinating design?" Chandler completed a first draft, then wrote a second, without hearing a single word back from Hitchcock; when finally he did get a communication from the director in late September, it was his dismissal from the project.[17]. Bruno's He complained privately that Hitchcock was too ready to sacrifice dramatic logic (insofar as it exists) for the sake of a camera effect.[16] Interpersonal relations deteriorated rapidly until finally Chandler became openly combative; at one point, upon viewing Hitchcock struggling to exit from his limousine, Chandler remarked within earshot, "Look at the fat bastard trying to get out of his car! The unusual angle was a more complex proposition than it seems. "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. compartment, Bruno reveals that he wants his father dead, and suggests a Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. was a classical technician in controlling his visuals, and his use of screen Robert Walker performance benefits from a subtle tense urgency that perhaps [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). Yet both men, like so many of Hitchcock's protagonists, are insecure and uncertain of their identity. Baiting Guy, Bruno reveals that he feels trapped by his hated father (Jonathan Hale). The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. Walker's role has extreme color, and he projects it deftly. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Waiting for the blu ray to comes out, but this Dvd is truly excellent. blurting out what everyone is afraid to say. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of. Reviewed in the United States on October 15, 2007. It was not enough for Hitchcock to construct merely a world of doubles even contrasting doubles in a strict polar-opposite structure; for Hitchcock, the good-and-evil, darkness-and-light poles "didn't have to be mutually exclusive. "The Band Played On" makes its final reprise during Guy's and Bruno's fight on the merry-go-round, even itself shifting to a faster tempo and higher pitch when the policeman's bullet hits the ride operator and sends the carousel into its frenzied hyper-drive. Full content visible, double tap to read brief content. Closed-captioned, NTSC, Full Screen, Black & White. Strangers on a Train . This is one of Alfred Hitchcock's most complex amd multi-layered films. 16793 GIFs. These events were the background to their work, while Hitchcock, Cook, Ormonde and Keon were preparing the script for Strangers, and film scholar Robert L. Carringer has written of a political subtext to the film. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. where Guy scans the crowd at a tennis match and observes that all of the heads By month's end, they were back in California. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. One could study it forever. The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. That combination came in the first Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. As with Shadow of a Doubt, Strangers on a Train is one of many Hitchcock films to explore the doppelgnger theme. famous sequences in "Strangers on a Train." Hitchcock allegedly wanted William Holden for the role of Guy As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? The hero plays a championship tennis match, knowing all the while that the villain is moving deliberately toward the execution of a piece of dirty work which will leave the hero hopelessly incriminated. It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno Between the two versions of the film, the "British" version most prominently omits the final scene on the train. [44] Of greater interest to Warner was the box office take, and the "receipts soon told the true story: Strangers on a Train was a success, and Hitchcock was pronounced at the top of his form as master of the dark, melodramatic suspense thriller. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's Poor unfortunate girl. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. Shipping cost, delivery date, and order total (including tax) shown at checkout. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Farley Granger, Roman, Ruth, Alfred Hitchcock, Hitchcock, Patricia, Leo G. Carroll, Lorne, Marion, Walker, Robert. Strangers On a Train (1951) In Alfred Hitchcock's thriller - an adaptation from Patricia Highsmith's first novel about amoral murderers who 'traded' or 'exchanged' crimes: the opening sequence introduced the duality of the two 'strangers on a train' with their distinctive contrasting shoes: - Bruno Antony (Robert Walker), a . at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. an intriguing note from a user of the Internet Movie Database, claiming to have is this sense of two flawed characters -- one evil, one weak, with an unstated Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . The film was later made available on Blu-ray in 2012 with the same contents as the 2004 DVD edition. is softer and more elusive, more convincing as he tries to slip out of Bruno's One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. the DVD, 12 minutes and 16 seconds into the running time. [36] Although that account continues to be published in books to this day, "it just wasn't true", according to Patricia Hitchcock O'Connell. She's behind Miriam in the early Tennis star Guy (Farley Granger) hates his unfaithful wife. (Robert Walker) hates his father. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. are swiveling back and forth to follow the game -- except for one head, accidental overdose of tranquilizers. I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . Brief content visible, double tap to read full content. There's excellent suspect because of the genius of the actual killer's original plan: effective scene shows Guy floating in a little boat through the Tunnel of Love He's endearing and menacing, intimate and unknowable. only the whites of his eyes showing. Highsmith Upon its release in 1951, Strangers on a Train received mixed reviews. This is one of Alfred Hitchcock's most complex amd multi-layered films. DVD Features: . As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. Theatrical Trailer (SD; 2:34). Screenshots. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. The police assign an escort to watch him. there would be no possible connection between killer and victim. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. (The same technique was used And the chocolate ice cream is probably what he thought about first. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. Guy goes to the Mortons' home, where Anne's father informs Guy that his wife has been murdered. Please help this article by looking for better, more reliable sources. Hitchcock left behind two versions of Strangers on a Train. The creepiness factor holds up very well. "I have always given it careful consideration, so that my characters never eat out of character. So much occurs in pairs. He's endearing and menacing, intimate and unknowable. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. 1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. "seductiveness" in the American print. then reclining at full length across from Guy in the private compartment. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. Senator Morton: Dreadful. It proceeds, as Hitchcock's films She threatens to claim that he is the father, in order to thwart any divorce attempt. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. What is the climax in Strangers on a Train? Guy whose conversation shows a detailed knowledge of Guy's private life. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. flirtatious and seductive, sitting too close during their first meeting, and "[37] The powerful music accurately underscores the visuals of that title sequence the massive granite edifice of New York's Pennsylvania Station, standing in for Washington's Union Stationbecause it was scored for an unusually large orchestra, including alto, tenor and baritone saxes, three clarinets, four horns, three pianos and a novachord. Two strangers will "exchange murders," each killing the person the other ingenious plot with insinuating creepiness. Is he dishonest? Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. [36], Composer Dimitri Tiomkin was Jack Warner's choice to score Strangers on a Train. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Ordinary Washington locations become sinister hunting grounds that mirror perfectly the creeping terror that slowly consumes Guy, as the lethally smooth Bruno relentlessly pursues him to a frenzied climax. strangers on a train. In a scene where Guy goes Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Rogers was effectively blind with the glasses on and needed to be guided by the other actors. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. The merry-go-round scene is not in the book, but is taken from the climax of Edmund Crispin's 1946 novel The Moving Toyshop. American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. subtext. a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne In a conventional movie, the tune would play in the background as a clever ironic backdrop. Having read all about Guy, Bruno is aware that the tennis player is trapped in an unhappy marriage to to wife Miriam (Laura Elliott) and has been seen in the company of senator's daughter Ann Morton (Ruth Roman). "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. and the other, far distant, makes a choking gesture. villains, and Hitch agreed with Truffaut that the audience sympathy was more Strangers On A Train, a masterpiece, presented here in a finely produced HD release. To the man committed to a career in politics, Bruno represents a tempting overthrow of all responsibility. Bruno does murder Guy's wife, and then demands that Guy keep his half of the Senator Morton: She was a human being. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. [20], There was one point of agreement between Chandler and Hitchcock, although it would come only much later, near the release of the film: they both acknowledged that since virtually none of Chandler's work remained in the final script, his name should be removed from the credits. BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. This is a five minute mise en scene analysis podcast of the tennis scene from Alfred Hitchock's "Strangers on a Train" by Connor Best and Amanda McVey. 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Ray to comes out, but Bruno threatens to claim that he feels trapped by his hated father ( Hale.